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Notes & Reviews |
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Full title is: Voice of the Violin
I'm afraid that understates the ethereal quality of Bell's extraction of living musical notes from his Stradivarius. The spiritual oneness that happens with a virtuoso and his/her instrument is what makes the connection between the listener and the player. The instrument becomes a unique voice that communicates the essence of music, which itself, is an extension of the writer. If pure, then the quality is immeasurable and unspeakable, transferring only between spirits, and made all the more pure in the hands of a kindred soul. Joshua Bell possesses that kind of relationship, not only between the author of the music and the quality of the instrument, but also between the author and the listener. Bell excels as the bridge between them all. |
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Tracks and Sound Clips
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Vocalise, instrumental arrangement, Op. 34/14 - 5:51
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Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 - 4:43
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Pourquoi me reveiller? (Why do you wake me?) - 2:37
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Apres un reve ("Dans un sommeil"), song for voice & piano, Op. 7 - 2:50
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Song to the Moon - 5:28
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Laudate Dominum (Praise the Lord) - 4:44
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None but the lonely heart, song for voice & piano, Op. 6/6 - 2:51
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furtiva lagrima (A furtive tear) - 4:17
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In trutina (in the balance) - 2:35
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May Breezes - 2:18
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Beau soir ("Lorsque au soleil couchant les rivieres sont roses") - 2:32
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Estrellita for voice & piano (or orchestra) - 3:16
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Nana - 2:12
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Je crois entendre encore (I still can hear) - 3:32
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Morgen ("Und morgen wird die Sonne wieder scheinen"), song for v - 3:41
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