Public Enemy : Apocalypse '91...Enemy Strikes Back

Length: 45:42

The All Music Guide rating for this album on a 1-9 scale (9=best) is: 9

The All Music Guide rating for this album among this artist's works on a 1-9 scale (9=best) is: 9

  Al Macdowell - Bass
  Allan Givens - Horn
  Anthrax - Performer
  Charlie Benante - Drums
  Chuck D - Vocals
  Dan Spitz - Guitar
  Flavor Flav - Vocals
  Frank Abel - Keyboards
  Frank Able - Keyboards
  Fred Wells - Guitar
  Jefferson Wyche - Horn
  Joey Belladonna - Bass
  Lorenzo Wyche - Horn
  Matt Fallon - Vocals
  Public Enemy - Main Performer
  Richard Gordon - Drums
  Rick Gordon - Drums
  Scott Ian - Guitar
  Sister Souljah - Vocals (Background), Performer
  Steve Moss - Conga
  Terminator X - Turntables
  True Mathematics - Performer
  Tyrone Jefferson - Horn

Coming down after the twin high-water marks of It Takes a Nation of Millions and Fear of a Black Planet , Public Enemy shifted strategy a bit for their fourth album, Apocalypse 91...The Enemy Strikes Black . By and large, they abandon the rich, dense musicality of Planet , shifting toward a sleek, relentless, aggressive attack -- Yo! Bum Rush the Show by way of the lessons learned from Millions . This is surely a partial reaction to their status as the Great Black Hope of rock & roll ; they had been embraced by a white audience almost in greater numbers than black, leading toward rap-rock crossovers epitomized by this album's leaden, pointless remake of 'Bring the Noise' as a duet with thrash metallurgists Anthrax . It also signals the biggest change here -- the transition of the Bomb Squad to executive-producer status, leaving a great majority of the production to their disciples, the Imperial Grand Ministers of Funk . This isn't a great change, since the Public Enemy sound has firmly been established, giving the new producers a template to work with, but it is a notable change, one that results in a record with a similar sound but a different feel: a harder, angrier, determined sound, one that takes its cues from the furious anger surging through Chuck D 's sociopolitical screeds. And this is surely PE 's most political effort, surpassing Millions through the use of focused, targeted anger, a tactic evident on Planet . Yet it was buried there, due to the seductiveness of the music. Here, everything is on the surface, with the bluntness of the music hammering home the message. Arriving after two records where the words and music were equally labyrinthine, folding back on each other in dizzying, intoxicating ways, it is a bit of a letdown to have Apocalypse be so direct, but there is no denying that the end result is still thrilling and satisfying, and remains one of the great records of the golden age of hip-hop . ~ Stephen Thomas Erlewine, All Music Guide